![]() They do this, of course, by shooting at each other. If you hit level 25 you can activate Prime Mode and start over, just like Call of Duty's Prestige rank. The bulk of the game is then an elongated flashback to Cybertron, switching between Autobot and Decepticon storylines as the old foes (in their video game forms) try to claim this powerful yet vague prize. The opening levels see the movie versions of Optimus Prime and the Autobots tracking the Dark Spark down on Earth, but failing to stop it falling into the hands of the mercenary Lockdown. It just sits there and waits to be captured by the various robot factions racing to claim its power to control time. A sort of evil counterpart to the Allspark, the series' recurring MacGuffin, the Dark Spark actually doesn't rise at all. The plot centres around the Dark Spark of that hilariously bad title. The result is muddled and largely flavourless. Here's the latest in that series, and it's one that attempts to reconcile Activision's previous non-movie Transformers games - the well received War for Cybertron and Fall of Cybertron - with Bay's clattering movie franchise. ![]() It's hardly one of the great mysteries of our age, but I'll never understand why Call of Duty is often explicitly called out for its bombastic Michael Bay tendencies, yet the official games of Michael Bay's Transformers movies are so tame in comparison, despite coming from the same publisher.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |